I am an innovative woman and artist from Zimbabwe who has a broad career in arts in the UK and Zimbabwe. Embracing a creative outlook on life I have adopted Scotland as my home and creative thinking space.

The process of creating my personal artwork explores unconventional mark making techniques such as charring, using textile resist methods and sculptures. Building my artwork layer upon layer is a cathartic process and allows me to transcend and remove myself from the challenges of daily life. I reuse found objects and natural materials to find new meanings within the layers of colour and texture. Zimbabwean traditional Sadza paste in my artwork reminds me of this food that I grew up eating everyday. It both comforts and grounds me attaching me to my motherland like an umbilical cord.

I use my artwork to advocate for mental well being within the marginalised communities in Scotland. My artistic ‘voice’ campaigns for ‘stolen identities’ and aims to reclaim my own identity as an artist in a society presenting many barriers to integration and professional development. Thinking or ‘creating outside the box’ allows me to challenge the migration conventions and break away from embedded stereo cast roles enhanced by culture shock and migration strongholds.

I was drawn to taking part in Enough!’s artist residency, Repository of the Undercommons as the project resonates with my values and interests. Creating visuals as a strategy to cope and advocate, is close to my heart. Where accountability is in question and needs to be collectively discussed, art activism, for me, is an impactful way to voice, challenge and campaign against injustice or for justice! Whilst collaborating with artists from abroad, I have forged links within some global arts communities. Locally, I have been exhibiting in the UK for the past 14 years and I have established contacts with the creative community in England and Scotland.

I would like to expand an online audience globally to support the climate change declaration. Thereafter I would like to partner with projects, museums and galleries to curate a travelling exhibition showcasing a universal body of work using an activist theme or combination of themes, e.g.: Protest Banner Images using digital technology and handmade artwork.

This research residency will record modern life as we see it, to inform the future, contributing and providing an educational insight into the policies and procedures that govern world politics and will be archived in varied formats for arts heritage.

In the future I aim to assist and encourage young Zimbabwean and Scottish Artists to collaborate in joint cultural exchange by informing, signposting and curating residencies.



Rukuvhute – Umbilical (2021) includes a selection of digitally printed fabrics whose textile resist technique uses sadza, Zimbabwe’s staple food,to make visible our relationships to food, knowledge production, place and tradition. Rukuvhute – Umbilical asks us to consider ecosexuality and feeling safe in contained spaces. My fetish for lampshades will be a feature in the display.

Showing 26 – 28 November.